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| State of Extremes |
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| December 12 - October 28,2020 |
| The exhibition State of Extremes mark ten years since the opening of Design Museum Holon. It aims to show the potential of design to reveal, critique, resist, mitigate (and, yes, sometimes exacerbate) extremes and the mechanisms that drive them. |
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| The Conversation Show |
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| May 28 - November 02,2019 |
A group exhibition that seeks to examine the creative
dialogue conducted between two designers or a group of
designers. Working in a team is inspiring and enriching,
but it also involves consenting to an unspoken agreement
to independence and freedom of thought at each and every stage of the design process - in treating all participants respectfully, providing them with a sense of security, and in gaining a deeper familiarity with the personality of the other.
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| Forms of Smiles |
| Product Design and Development Processes from Monkey Business |
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| May 28 - October 26,2019 |
| How do you sharpen a carrot? Who are Morris the Donkey and Moby the Whale? In the world of the design firm Monkey Business every twig is a sabre in a bold game of knights, every elephant is a coin bank, and every wine bottle cork can become a pre-historic dinosaur. These popular gift products offer an unexpected encounter with rare polar bears inside a freezer or a charming acrobatic performance on a clothesline. Using a humorous approach to everyday objects, the designers breathe life and bring a smile into our daily routines. |
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| Genetic Dialogue |
| Juany Mukmel and Talia Mukmel |
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| May 28 - October 26,2019 |
| This exhibition presents the body of work of Juany and Talia, a mother and daughter, both of whom are designers. They do not work together, at least not explicitly or consciously, but the connection between their works is evident in the technique, language and devotion to material |
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| Past |
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| Time Machines |
| Original exhibition from Design Museum Holon Collection |
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| November 27 - April 27,2019 |
| Time is an elusive "material," another dimension that cannot be bent, distorted or even slightly modified. However, designers cannot help but to use it in their work. The dimension of time is present in the processes of development, production, and biodegradation of the items, and thus its marks and fingerprints remain in the final product. |
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| Magazine |
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| Beautifying Reality |
| Shira Kimmel |
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| Why did we start to think more about function and less about beauty? and why is the worst thing you can say about beauty is that it is in the eye of the beholder? Taking a look bac |
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| Two Sugar, Please |
| Design Museum Holon Staff |
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| Stav Axenfeld, a graduate of the Holon Institute of Technology, is exhibiting at Designboom Mart |
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| Taking Eyeglasses Seriously |
| Tomás Maldonado |
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| There is a rather widespread notion, these days, that technology is an exogenous factor, something that impacts “the world in which we live” from the outside. It is a factor that r |
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